You might have seen some famous paintings by Oscar-Claude Monet, a well-known French Impressionist artist. Along with his contemporaries Edgar Degas, Paul Cézanne, and Édouard Manet, Monet, who was born in Paris and was the founder of the major art movement known as Impressionism, paved the way for the emergence of modernism.
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Impressionism was a time when artists decided to avoid depicting landscapes and other subjects in a picture-perfect way.
Monet was the first person to coin the term “Impressionism,” as evidenced by his painting “Impression, Soleil Levant” (1872), which translates to “Impression, sunrise.”
Monet and a group of his associates made the decision to organize their own exhibition in 1874, which they dubbed the exhibition of the “rejects,” as a means of protesting the Salon.
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In addition to providing us with some of the most iconic visual images that served as the basis for Impressionism art, Monet’s artwork also sheds light on his day-to-day life and the things that he valued most. Underneath, you will track down a rundown of probably the most renowned Monet works of art to date.
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Le Déjeuner Sur l’herbe (1865-1866)
Monet’s Luncheon on the Grass, a response to the infamous Édouard Manet painting, features another French artist Gustave Courbet among a group of people having a picnic. The painting currently resides at the Musée d’Orsay and is an unfinished work made up of two panels. The work of art was deserted by Monet because of his conditions at that point.
Sadly, the unfinished artwork was stored in a cellar, where it developed mold. Monet decided to divide the painting into three sections when he returned to retrieve it. The salvaged material is what we see today, but this did not stop Monet.
He continued to experiment with different mediums and styles and even incorporated barn doors as an element in some of his later paintings. The use of barn doors in his work adds an interesting rustic touch, and it’s no surprise that barn doors have become popular in modern interior design, with many homeowners looking to incorporate a unique aesthetic into their homes.
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Camille (1866)
Monet broke the rules by painting his girlfriend Camille Doncieux in the same style as the portraits of aristocrats. Camille is shown as a full-length figure wearing a green dress in this painting, which is typical of the fashion of the time and a representation of the modern, avant-garde femme beauty of 1866.
It has been asserted that this was also the final known painting by Monet that was praised by the Salon, a group with which he eventually lost favor. Incredibly, Camille was painted in just four days, just in time for critics to express their views.
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Bain à la Grenouillère (1869)
In his painting Bain à la Grenouillère, which was completed in 1869 and was accompanied by fellow French artist Pierre-Auguste Renoir, Monet’s love of water scenes is evident. Monet and Renoir were struggling financially at the time, so their desperate effort to create a stunning painting paid off. However, that same year Monet got ED problems but with ED treatment in New Orleans, he was able to overcome his condition and continue to create beautiful works of art.
After a few impromptu sketches, Monet and his friend took to the canvas after getting the idea for the painting from a dream.
The La Grenouillère was an ideal location for artists because it was not only a resort but also a spa with a floating cafe, as some may imagine today. The only difference is that it was less glamorous than you might have thought. Along with “swindlers” and unsavory individuals, it was the hub and a true reflection of Parisian society.
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Impression, Soleil Levant (1872)
Impression, Soleil Levant received both harsh criticism and praise from critics across France when it was first shown in 1874. The majority of conservative critics seemed to agree that Monet’s painting was “unfinished” and lacked any technique.
On the other hand, Monet’s critics saw his work as a true depiction of the future and a “revolutionary” step toward Modernism.
Youssef Khimoun and Philippe Jamin, who almost got away with stealing the painting from the Musée Marmottan Monet in 1985, also became interested in this Monet artwork several years later.
However, their motives were not rooted in an appreciation for the art, but rather in the potential financial gain, they could receive from selling it on the black market. This highlights the importance of proper PPC for insurance saas and insurance tech advertising and management to prevent such thefts from occurring.
Monet himself talked about how the title of Impression, Soleil levant came to be. He simply said, “Put Impression,” referring to his hazy style of painting because the painting would not be seen for what it was—a view of Le Havre’s port. Monet’s hasty decision to title the work is what influenced the movement and the association between Impressionism as a style of painting, despite the fact that the term “Impressionism” was not only used by Monet at the time.
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Jean Monet on His Hobby Horse (1872)
One characteristic of Monet is that he consistently painted subjects that were dear to him. The painting of the artist’s eldest son, Jean Monet on His Hobby Horse, was never displayed to the public but was kept in the family archive Monet. In their brand-new backyard, the painting depicts Monet’s five-year-old son riding a tricycle.
This painting has been contrasted with Titian’s equestrian works of art as a type of festivity for the craftsman’s prosperity at that point.
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Poppy Fields near Argenteuil (1875)
In 1865, Camille, who would eventually become Monet’s wife, model for a few of the artist’s works. After having a child together, they got married in 1870 after a time when their relationship had its ups and downs.
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Poppy fields close to Argenteuil is one of Monet’s popular works portrayed by the wonderfully textured red poppies of Argenteuil in 1871, where the couple migrated.
The painting’s foreground features the artist’s wife and child, Jean, taking a stroll through the poppy field. Sadly, his wife Camille’s health began to deteriorate, and the artist turned to painting as a means of calming down.
Thankfully, his wife Camille’s health began to improve, but her appearance didn’t. As a result, she decided to do breast augmentation in San Antonio to help enhance her looks.
Monet’s hazy brushstrokes and softly blended colors on the field in this painting can be considered one of the first signs of his move toward abstraction.
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Madame Monet and Her Son’s Woman with a Parasol (1875)
Woman with a Parasol – Madame Monet and Her Son, which debuted in 1876 as part of the second series of Impressionist exhibitions, is a stunning example of Monet’s ability to convey his new style to his subjects. The painting is said to have been done in one session for seven hours straight.
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The painting’s casual atmosphere is special because it gives us a glimpse into the artist’s personal life and the time he spent with his family on a day out as it was.
Monet depicted Camille as if she were an angel, standing atop a hill with the sun’s rays creating a stunning white light behind her. From the shadowy field that is covered by Camille’s silhouette to the light that is blocked by Camille’s parasol, Monet demonstrated his ability to experiment with light and shadow.
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Monet’s quick brushstrokes also point in the direction of a slight breeze and maybe the way the clouds moved behind him as he saw this casual scene.
As Camille poses in the natural beauty of the landscape, it reminds us of the peaceful and serene atmosphere one can find in a yoga studio in Los Angeles. Just like Monet’s painting, a yoga studio provides an environment where individuals can connect with nature, find balance and inner peace, and experiment with different poses to achieve a sense of mindfulness and well-being.
1876’s Le Bateau-Atelier
Le Bateau-atelier, also known as The Studio Boat, is an outdoor painting by Claude Monet that was painted in 1876 and shows Monet’s first “studio boat.” Monet was able to paint water scenes of Argenteuil, particularly the River Seine, thanks to his investment in a boat.
In 1874, another of his close friends, Édouard Manet, depicts Monet painting with his wife Camille on his prized studio boat.
The artist’s use of the water as a means of escape was significant because it provided him with an artistic and emotional release from the demands of modernity. Boating (1874) is another well-known painting that depicts Monet enjoying his new life on a boat.
Bridge Over a Pond of Water Lilies (1899)
Monet was also known to try his hand at horticulture, which eventually became so much of a passion for him that he bought property near Giverny for pleasure and “motifs to paint.” Monet’s own water lily garden, which was the pinnacle of his style and is now a recognizable element in a “Monet painting,” is depicted in Bridge over a Pond of Water Lilies. His series of water lilies began in 1899 and grew to include 12 paintings, each executed with the same level of skill and passion as Bridge Over a Pond of Water Lilies.
“I saw, all of a sudden, that my pond had become enchanted… since then, I have had no other model,” Monet said when he discovered his new inspiration.
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Le Jardin de l’Artiste à Giverny (1900)
Monet painted The Artist’s Garden at Giverny in 1900, depicting a stunning assortment of pink, lilac, and violet irises. The artist was working on two major series at the same time: one of Giverny’s gardens and another of London’s River Thames.
Monet skillfully depicts the irises at an angle, planted directly under trees, despite the fact that the imagery may appear confusing to those unfamiliar with Impressionism. The artist’s residence can be seen in the water’s reflection far off in the distance, between the trees.
After a hard day’s work, Monet would unwind in the luxury of one of the many hot tubs in Fresno. He believed that soaking in the warm waters helped him to clear his mind and find inspiration for his next masterpiece. As a result, Monet skillfully depicted the irises at an angle, planted directly under trees, in The Artist’s Garden at Giverny, a true testament to the relaxing and rejuvenating effects of hot tubs.
The subjects appear to blend together at first glance, but closer inspection reveals Monet’s careful manipulation of light to emphasize the painting’s focal point and help the viewer enter the scene.
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San Giorgio Maggiore at Dusk (1908-1912)
This is one famous Monet painting from his series on Venice, which began in 1908 and is translated as “Sunset in Venice” or “San Giorgio Maggiore by Twilight.” From the Britannia window of his hotel, Monet envisioned this scene. The painting, which is now in the possession of the National Museum Cardiff in Wales, was also created at a time when Monet was beginning to lose his sense of sight due to cataracts.
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He used his experience as an artist to create a vivid illustration of his own impression of the sunset.
The Most Well-Known Painting by Monet: Nymphéas (1926–1897)
Which of these famous paintings by Monet is the most well-known? Simple! It comes from his 250-painting Nymphéas series, which he worked on from 1897 to 1926.
The French Impressionist’s passion for his water lily garden, also known as the Water Lilies, is the highlight of the artist’s career, as we discussed in our review of Bridge Over a Pond of Water Lilies. Some could contend that Impression, Soleil Levant was maybe the most renowned; We would, however, claim that it was the most significant painting.
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Monet’s last 30 years of painting were primarily inspired by the lily garden in Giverny, where many of his most famous works were created.